Practice-led inquiry into audiovisual congruency, performance agency, networked musical experience and interactive technologies.
My research begins inside the creative process: composing, performing, programming, documenting and reflecting. Across instrumental and electronic contexts, I investigate how technology reshapes musical decisions and how performance can function as a form of knowledge production.
Projects connect composition, performance, audiovisual culture, creative coding and autoethnographic methods. Outputs may take the form of works, software, performances, technical documentation and reflective writing.
A digital autoethnographic investigation of VJ performance in Sydney's club culture, drawing on event documentation, audiovisual media and reflexive coding to explore the relationship between visual aesthetics and musical genres.
Creative work examining distributed performance, place, collaboration and musical agency, including the Viaji di Som project.
Developing approachable environments for learning composition and creative coding, from Incredimod systems to the Scratch → Max/MSP module suite currently in development.
Doctoral creative research examining approaches to composition shaped by new media, interactive systems and interdisciplinary artistic practice.
Publications, conference presentations, scores and research documentation can be linked from each project as their source records are confirmed.
Academic profile ↗